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Sebastiano del Piombo 1485-1547 Italian Sebastiano del Piombo Galleries
Italian painter. He was one of the most important artists in Italy in the first half of the 16th century, active in Venice and Rome. His early, Venetian, paintings are reminiscent of Giovanni Bellini and to a lesser extent of Giorgione. With his move to Rome in 1511 he came under the influence of Raphael and then of Michelangelo, who supplied him with drawings. After the death of Raphael (1520) he was the leading painter working in Rome and was particularly noted as a portrait painter. In his finest works, such as the Piete (1513; Viterbo, Mus. Civ.) and the Flagellation (1516-24; Rome, S Pietro in Montorio), there is a remarkable fusion of the Venetian use of colour and the grand manner of central Italian classicism.
Sebastiano del Piombo The Resurrection of Lazarus 02 1517-19 National Gallery, London
Painting ID:: 1564
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Sebastiano del Piombo The Death of Adonis c1511 Galleria degli Uffizi, Florence
Painting ID:: 20223
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Sebastiano del Piombo The Holy Family with st Catherine st Sebastian and a Donor sacra Conversazione (mk05) Wood 37 1/2 x 53 1/2''(95 x 136 cm).Collections of Duke of Mantua and Charles I;acquired from Eberhard Jabach by Louis XIV in 1662
Painting ID:: 20227
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Sebastiano del Piombo The Visitation (mk05) Painted in 1519 but dated in 1521
Canvas,66 1/4 x 52\'\'(168 x 132 cm).Collection of Francois I,no doubt in 1521;collection of Louis XIV
Painting ID:: 21322
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Sebastiano del Piombo Cardinal Carondelet and his Secretary (mk08) c.1512-1515
Oil on wood.
112.5x87cm
Madrid,Museo Thyssen-Bornemisza
Painting ID:: 23492
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Sebastiano del Piombo The Death of Adonis (nn03) c 1511 Oil on canvas 189 x 285 cm 74 1/2 x 112 1/4 in Galleria degli Uffizi Florence
Painting ID:: 28057
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Sebastiano del Piombo Jesus Carrying the Cross mk61
c.1516
Oil on canvas
121x100cm
Painting ID:: 28058
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Sebastiano del Piombo The Descent of Christ into Limbo mk61
1516
Oil on canvas
226x114cm
Painting ID:: 28974
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Sebastiano del Piombo La Fornarina mk65
Panel
26x20 7/8in
Uffizi.
Painting ID:: 29889
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Sebastiano del Piombo The Martyrdom of St.Agatha mk67
Panel
51 9/16x68 7/8in
Pitti,Palatine Gallery
Painting ID:: 30978
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Sebastiano del Piombo La Visitation mk70
Bois transpose sur toile
H.1.68
L.1.32
Paris,Musee du Louvre
Painting ID:: 32548
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Sebastiano del Piombo Recreation by our Gallery mk79
Painting ID:: 32618
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Sebastiano del Piombo Christ Carrying the Cross 1535-40
Oil on slate, 157 x 118 cm
Painting ID:: 32620
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Sebastiano del Piombo San Giovanni Crisostomo and Saints c. 1509
Oil on canvas, 200 x 156 cm
Painting ID:: 32624
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Sebastiano del Piombo Portrait of Antonio Cardinal Pallavicini Oil on canvas
Painting ID:: 33485
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Sebastiano del Piombo Cardinal Carondelet and his Secretary mk86
c.1512-1515
Oil on wood
112.5x87cm
Madrid,Museo Thyssen-Bornemisza
Painting ID:: 40318
X
Sebastiano del Piombo The Martydom of St.Agatha mk156
1520
Oil on panel
127x178cm
Painting ID:: 40341
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Sebastiano del Piombo Portrait of Pope Clement Vii mk156
1526
Oil on panel
Painting ID:: 41196
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Sebastiano del Piombo St.John Chrysosbtom with Saints Catherine, Mary Magdalene,and lucia,and john the Evangelish,John the Baptist and Theodore mk157
1509-11
Oil on canvas
200x165cm
Painting ID:: 41952
X
Sebastiano del Piombo The Visitacion mk166
c. 1521
I Wave on cloth
168x132cm
Museum of the Louvre, Paris
1485-1547 Italian Sebastiano del Piombo Galleries
Italian painter. He was one of the most important artists in Italy in the first half of the 16th century, active in Venice and Rome. His early, Venetian, paintings are reminiscent of Giovanni Bellini and to a lesser extent of Giorgione. With his move to Rome in 1511 he came under the influence of Raphael and then of Michelangelo, who supplied him with drawings. After the death of Raphael (1520) he was the leading painter working in Rome and was particularly noted as a portrait painter. In his finest works, such as the Piete (1513; Viterbo, Mus. Civ.) and the Flagellation (1516-24; Rome, S Pietro in Montorio), there is a remarkable fusion of the Venetian use of colour and the grand manner of central Italian classicism.